The Gluttenburg Mannequin

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The Gluttenburg Mannequin

The Gluttenburg Mannequin

from A Week in the Life and Death of Grozdan
Translated to English: Rumena Bužarovska

It’s strange
, thinks Grozdan while standing in front of the department store window in … Göteborg, no, Grüttenburg, Gratenstrassenah, whatever. And he doesn’t find it strange that he doesn’t know which city he’s in, even which country. He has long ago learned not to pile up information in his memory that doesn’t interest him. He also doesn’t find it strange that Buba, as she was seeing him off, had said something similar: “It’s strange…” but he didn’t manage to hear the whole sentence. The nervousness before trips and the dullness of goodbyes. And he really can’t tell why he agreed to take part in this investigative journalism conference. Actually he can; ever since he hasn’t had a steady job, he has been accepting everything offered to him, even though he has never been a fan of this ultimate journalistic dogma – investigative journalism. Something always reeked of police set-ups and smear campaigns. He has always believed that the profession can and should serve the public interest in some other way. It should…

And so we see Grozdan on the square in – oh, never mind where… standing befuddled in front of the local department store window. Looking at his own reflection in the shop window, he notices that he is more hunchbacked than he thought he was and that his beard is whiter since the last time he saw himself in the mirror. His face is also pale. Almost white. But he puts this down to the tedious journey and the even more tedious translator and host, who for some reason thinks that Grozdan is really dying to know about the state of journalism in his country. Even the beer with an unpronounceable name he had in a nearby café was bland, so he swapped it with some kind of schnapps, which was inhumanely warm.

His pale face, soon to turn yellow, is now reflected on the flat surface of the naked body of the mannequin which is just being placed in the shop window by two employees in blue uniforms. They are carefully placing her feet apart and setting her arms as if she’s sowing in a field. Grozdan finds this strange because the mannequin is naked and basically doesn’t present anything.
The blue uniforms disappear inside the store. They are alone: he, Grozdan, outside on the sidewalk, and she, the naked anonymous mannequin in the shop window space. He gazes at her intently. From head to toe. She has long, blonde hair. In a ponytail. Grozdan feels that he knows her from somewhere. That he has seen her recently. In the airplane? At the airport? The waitress that brought him his beer? One of the women at the conference? No, he can’t remember. Her eyes are colored blue. Pretty precise, thinks Grozdan. They are large, bigger than usual, even for a mannequin doll. The lashes, of course, are long and artificial. One of them is droopier than the other, as if she is about to wink at him. Her lips form a half-smile, as if she were slightly mocking him. She has a fine, small chin. All she needs are dimples.

Her shoulders are narrow, the breasts fine (well, she’s a doll), her arms lanky and disproportionately long, but still somehow natural-looking. What is she doing? Is she sowing, begging, pleading, reaching out to someone? She has a gold bracelet around her left wrist. Her legs are long, slim and set apart, as if she were taking a step.

Grozdan does not know how long he has been standing in front of the shop window. It is as if he can hear the sky above him. That’s because suddenly everything stops. There is no one around him. There are no passers-by, no cars. The air is still. Only the two men in blue uniforms go inside the shop window and carry off the mannequin with the blonde hair in a ponytail and the gold bracelet around her left wrist. The taller of the two grabs her by the head, the other by the feet. A threatening void gapes from the shop window. There is a scent of tension in the air.

And here they are again, the men in the blue uniforms. They are faster this time. They are carrying a new mannequin into the shop window. Now it’s a man. Not just any man, but Gyosh the newsstand salesman. It’s him. He’s wearing the same shirt he always wears and the same jeans. His reading glasses stand on the tip of his nose. But this time Grozdan does not study the mannequin’s appearance. Instead he peers around, trying to make sure where he is. He strolls back several meters away from the shop window and then approaches it again. It seems to him that once, in another life, he was here. But not quite so alone and so unnerved as he is now.

It is as if the blue uniforms never left the shop window. They have already removed the unexpected mannequin of Gyosh the newsstand salesman, as if knowing this is not his place. In his place they put up two mannequins holding hands. A couple. Grozdan starts touching his arms and legs. This is completely impossible. They are Buba, his wife, and Boshko, his best friend. Buba is bubbly, with a smile on her face. She’s wearing an elegant black suit and matching skirt. Boshko is giving him a wily wink. Grozdan feels a numbing pain in his stomach. Before they started a relationship, Buba was Boshko’s girlfriend. So much time has gone by. Next year is our 30th wedding anniversary. It’s surely been 35 years, maybe more. Before they started a relationship, Buba was Boshko’s girlfriend. So much time has gone by. Next year is our 30th wedding anniversary. It’s surely been 35 years, maybe more.

AuthorZvezdan Georgievski
2018-12-13T11:36:09+00:00 March 22nd, 2017|Categories: Prose, Literature, Blesok no. 112|0 Comments