April-May, 1999
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04, 1999
DLUM, 46th exhibition
Mile Korubin: Untitled acrylic on canvas, 70x80, 1998 Ilija Adzhievski: Remembrance roasted clay, 22x18x12, 1996 Petar Hadzhiboshkov: [...]
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04, 1999
Sergei M. Eisenstein: A Film Editing As Aesthetic Category
1. A short biography: Sergei Mikhailovich Eisenstain (1897-Rig, 1948-Moskva), comes from a family with a father-architect and a mother-ballerina. Since [...]
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04, 1999
Interview with Bernard Allison
– Was it your father, musician, that turned you on to the blues and at what age did you start? [...]
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04, 1999
Macedonian Composition School – Yes or No?
During the last decade of the 20th century many important anniversaries of the Macedonian professional music creative work are taking [...]
1
04, 1999
zurla
From the term zurna (pers.-tur.-arab.) Similar instruments: German shalmai, Persian zurna, Arabic zamr, Hindustani surnai and nagasvara, Chinese so-na, Italian [...]
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04, 1999
Pocket Full of Magic
While watching a play, contemporary lonely child doesn't wonder (as his parents an watchman's do) “Do I want to be [...]
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04, 1999
Late Coming Bones
A drama in nine scenes, with a motive from “Palace of Dreams” by Ismail Kadaredata CHARACTERS MARK ALEM – REFET [...]
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04, 1999
A Dark Horse Over the Mountain
I sit down to check my last manuscript, but the table and the chair disappear under me. In vain I [...]
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04, 1999
The Balkans
Translated by: Margaret-Peggy Reid, Graham W. Reid and the authorCloaca of heresies and heretics that Europe ignites and extinguishes on [...]
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04, 1999
The Typewriter
“Take one of the typewriters,” they told him. “Nobody minds if you borrow one for a couple of days. After [...]