April-May, 1999
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04, 1999
The Balkans
Translated by: Margaret-Peggy Reid, Graham W. Reid and the authorCloaca of heresies and heretics that Europe ignites and extinguishes on [...]
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04, 1999
The Typewriter
“Take one of the typewriters,” they told him. “Nobody minds if you borrow one for a couple of days. After [...]
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04, 1999
The Balkans For Children
The arrival of “The Balkans” cinema in Bobovo was greeted by everyone as a great event. The children took baths [...]
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04, 1999
On the Far Side of Normality
A Generation in Doubt The very existence of the generation which I am about to try and introduce is doubtful. [...]
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04, 1999
The Literary-Historical Composition in Macedonian Medieval Literature
In the genres system of medieval literature, the historical-chronological texts are distinguished as a special literary-historical genre with a specific [...]
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04, 1999
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04, 1999
DLUM, 46th exhibition
Mile Korubin: Untitled acrylic on canvas, 70x80, 1998 Ilija Adzhievski: Remembrance roasted clay, 22x18x12, 1996 Petar Hadzhiboshkov: [...]
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04, 1999
Sergei M. Eisenstein: A Film Editing As Aesthetic Category
1. A short biography: Sergei Mikhailovich Eisenstain (1897-Rig, 1948-Moskva), comes from a family with a father-architect and a mother-ballerina. Since [...]
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04, 1999
Interview with Bernard Allison
– Was it your father, musician, that turned you on to the blues and at what age did you start? [...]
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04, 1999
Macedonian Composition School – Yes or No?
During the last decade of the 20th century many important anniversaries of the Macedonian professional music creative work are taking [...]