Interculturalism: Trends, Exotica, Aesthetics, Poetics and… So Forth!
What do we, in fact, talk about when we talk about interculturalism? What do we refer to when, more and [...]
admin 2018-08-21T17:23:16+00:00 April 16th, 2006|Categories: Theory, Theatre/Film, Blesok no. 47|0 Comments
What do we, in fact, talk about when we talk about interculturalism? What do we refer to when, more and [...]
admin 2018-08-21T17:23:17+00:00 February 1st, 2006|Categories: Theory, Theatre/Film, Blesok no. 46|0 Comments
Initial considerations Interculturalism in the theatre involves or, more precisely, is equal to interculturalism in dramatic expression. The research carried [...]
admin 2018-08-21T17:23:18+00:00 November 1st, 2005|Categories: Theory, Theatre/Film, Blesok no. 45|0 Comments
or On Recent Macedonian Theatrical Matters I could have entitled this text “On the Ideal Theatre of the 21st Century”, [...]
admin 2018-08-21T17:23:27+00:00 April 1st, 2004|Categories: Theory, Theatre/Film, Blesok no. 35|0 Comments
– From Paragrami tela/figure (book on the theory of theater) –3.2.1 Concepts of Figure Figure (figure = shape, face, image) [...]
admin 2018-08-21T17:23:29+00:00 August 1st, 2003|Categories: Theory, Theatre/Film, Blesok no. 33|0 Comments
Good evening. Now, you must help me, because it is impossible to talk without knowing who one's talking to. I've [...]
admin 2018-08-21T17:23:33+00:00 March 1st, 2003|Categories: Theory, Theatre/Film, Blesok no. 31|0 Comments
It seems that for the first time in human history we have the chance for global cultural understanding. Air travel [...]
admin 2018-08-21T17:23:32+00:00 March 1st, 2003|Categories: Theory, Theatre/Film, Blesok no. 31|0 Comments
Robert Wilson and InterculturalismNatural Selection “One day i discovered the habits of a porcupine fish,” Charles Darwin recorded in his [...]
admin 2018-08-21T17:23:35+00:00 November 1st, 2002|Categories: Theory, Theatre/Film, Blesok no. 29|0 Comments
The main purpose of my method is to uncover and bring to the surface the physically perceptive sensibility which actors [...]
admin 2018-08-21T17:23:37+00:00 August 1st, 2002|Categories: Theory, Theatre/Film, Blesok no. 27|0 Comments
A conversation between Sallie Goetsch, University of Warwick, England and Stefan Didak, Animagic, Netherlands[Goetsch] >When I first saw Animagic's proposal [...]
admin 2018-08-21T17:23:40+00:00 March 1st, 2002|Categories: Theory, Theatre/Film, Blesok no. 25|0 Comments
in Beckett's Dramas Happy Days and Waiting for Godot Happy Days opens on a barren outdoor setting in which a [...]