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                     Peer-reviewed journal

gallery, reviews

literature: poetry | prose | essays | reviews
gallery:
exhibition | reviews | video  sound: concert | reviews  theatre: theory | reviews | play


 Blesok no. 98 September-October, 2014
  Angel Miov: Muse Must Dance
  Aleksandra Zinovski-Vilić: The Future of the Past
 Blesok no. 97 July-August, 2014
  Sašo Dimoski: Sunrise at Sunset – Post-apocalyptic Stench of the Transition
  Vladimir Jančevski: An Excellent Conceptualization
  Gorančo Gjorgjievski: Conceptual Socially Engaged Discourse
  Vladimir Jančevski: The Interdependence of Image and Text in the Composition
 Blesok no. 96 May-June, 2014
  Tatjana Bundalevska: A Fighter That Never Disarms
 Blesok no. 95 March-April, 2014
  Jana Jakimovska: I Was Gonna Paint...
  Milan Andov: Transference
 Blesok no. 94 January-February, 2014
  Ion Lucin: Sphere
  Tell No One: Metamorphosis
 Blesok no. 93 November-December, 2013
  Safet Ahmeti: Osten Biennale, 2013
 Blesok no. 92 September-October, 2013
  OPA & Vialka: Performance
  Ana Martinoska: Soul Transplants
  Viktorija Vaseva Dimeska: Linear and Reticulate
  Zlatko Teodosievski: Associative Concentration
 Blesok no. 91 July-August, 2013
  Toxicity: Exhibition, conference and workshop
  Olafur Eliasson: Your embodied garden
 Blesok no. 89 March-April, 2013
  Ana Martinoska: Ars erotica female way
  Gorjan Gjorgjiev: Why pornography?
 Blesok no. 88 January-February, 2013
  Néle Azevedo: Minimum Monument
 Blesok no. 87 November-December, 2012
  Marcos Zotes: Rafmögnuð Náttúra
 Blesok no. 86 September-October, 2012
  Konča Pirkoska: The Poetics of Silence and Distance
 Blesok no. 85 July-August, 2012
  Kalina B. Isakovska: Temporariness, Transformation and Losing of the Identity
 Blesok no. 84 May-June, 2012
  Anish Kapoor: “I wanted the sensation of instability...”
  Ilija Kočovski: Values Concentrated in the Characters
 Blesok no. 83 March-April, 2012
  Antony Gormley: Exposure, 2010
 Blesok no. 82 January-February, 2012
  Maja Čankulovska-Mihajlovska: You, a Line and Me
  Ana Martinoska: Lessons of Life and Art
 Blesok no. 80-81 September-December, 2011
  Melentie Pandilovski: SEAFair ’11 - Energy, Biopolitics, Strategies of Resistance and Cultural Subversion
 Blesok no. 75 November-December, 2010
  Ana Martinoska: The Forehead on the Finger
 Blesok no. 74 September-October, 2010
  Mira Keratová: Vivez Sans Temps Mort
  Martin Palúch: Staging Reality in Order to Discover the Historical Paradigm
 Blesok no. 71-73 March-August, 2010
  Sonja Abadžieva: Growing of the Light
 Blesok no. 66 May-June, 2009
  Branislav Oblučar: At The Market
  Davorka Perić Vučić Šneperger: A Green Island as an Area of Freedom
  Vladimir Končar: Always Hungry Gaze
  Branislav Oblučar: Always Hungry Gaze
 Blesok no. 65 March-April, 2009
  Sašo Popovski / Ivan Džeparoski: Sketches for Sketches
  Maja Čankulovska-Mihajlovska: Horizon-a
  Viktorija Vaseva Dimeska: Pixstories
  Goce Nanevski: Horizon-a
 Blesok no. 64 January-February, 2009
  Zoran Petrovski: Dragan Petković, Retrospectively
  Sonja Abadžieva: The Cruelty of the Beautiful
  Miroslav Popović: A Victory of Language over the Act of Looking
 Blesok no. 61-62 July-October, 2008
  Bojan Ivanov: Inside the Universe of the Elementary Particles
  Slave Gjorgjo Dimoski: How the Man Was Created from Ohrid Trout
 Blesok no. 60 May-June, 2008
  Ana Frangovska: Creating “vivification” through technical perfection
  Bojan Ivanov: New tenants at the old addresses … and the other way around
  DENES 2008: Young visual artist annual award “DENES”
  Stanko Pavleski: The Public on Step-brotherly St. (without a house number)
 Blesok no. 59 March-April, 2008
  Blagoja Manevski: The drawing
  Bojan Ivanov: From Near and Afar
 Blesok no. 58 January-February, 2008
  Diane Sippl: Manchevski’s SHADOWS
 Blesok no. 57 November-December, 2007
  Vlatko Galevski: Upside Down
  Vlatko Galevski: I am from Titov Veles
  Zlatko Teodosievski: Slavica Janešlieva – Grafting
  Vlatko Galevski: Sex with Ghosts
 Blesok no. 56 September-October, 2007
  Zlatko Teodosievski: The new and (un)known Čemerski
  Various authors: Miroslav Masin, “Fish – Bird – Woman”
 Blesok no. 55 July-August, 2007
  Violeta Elizabeta Krstić: Towards Aneta Božinova’s sculpture exposition
  Vlatko Galevski: The Grandmothers of Revolution
 Blesok no. 54 May-June, 2007
  Elena Veljanovska: Aračinovo 2001 by Aleksandra Petruševska
  Lucija Gjurašković: “For the Glory of Easter”
  Elizabeta Šeleva: The Fierce Handwriting of the South
  DENES: Young Visual Artist Annual Award
  Aleksandra Petruševska: Aračinovo 2001
 Blesok no. 53 March-April, 2007
  Georgi Vasilevski: 47th Thessaloniki International Film Festival
  Nebojša Vilić: Double Discursiveness of a Photo-essay
  Zlatko Teodosievski: The Joy of Painting
  Sunčica Unevska: Berlin Writes Current History through the Past
 Blesok no. 52 January-February, 2007
  Dejan Bugjevac: Towards Ladislav Cvetkovski's exhibition
  Dejan Bugjevac: Towards Evgenij Pantev's exhibition
  Sunčica Unevska: Tranquility and Disturbance as a Provocation, Lasting or Concluding
  Goce Smilevski: Ideologeme and Fascination
 Blesok no. 50 September-October, 2006
  Vladimir Jančevski: Moths
  Nikola Madžirov: Distancing for Closeness
 Blesok no. 48 May-June,2006
  Ana Vasilevska: Archaism, Postmodernism and Little Stars for Large Constellations
  Sunčica Unevska: Art Completely Devoted to Political Engagement
  Vlatko Galevski: TWOconstruction
 Blesok no. 47 March-April, 2006
  Ljuben Paunoski: Info-Mess Installation
 Blesok no. 46 January-February, 2006
  Ljuben Paunoski: The Master and the Comment
  Georgi Vasilevski: Differences are also Part of the Unity
  Ana Vasilevska: The Truth Is Not a Taboo
 Blesok no. 45 November-December, 2005
  Ana Vasilevska: The New Macedonian Film
 Blesok no. 44 September-October, 2005
  Sonja Abadžieva: The Painting as Sacrifice Object or Paintings Bleeding
  Ana Vasilevska: The brightness of the great Storaro as the opposite of the pale image of European contemporary film
 Blesok no. 41 March-April, 2005
  Sonja Abadžieva: Obsession with Painting Ontology
 Blesok no. 39 November-December, 2004
  Maja Čankulovska-Mihajlovska: View Towards the Forgotten
  Petar Volnarovski: Homo homini... canis est?
 Blesok no. 36 May-June, 2004
  Elizabeta Šeleva: Handwriting / of / Clothes
 Blesok no. 35 March-April, 2004
  Emil Aleksiev: Globalization and Identity
  Ilindenka Petruševa: The Mobile Cinema For The People
 Blesok no. 34 September-October, 2003
  Vladimir Angelov: Here is the Dust, but where is the Horse?
  Robert Alagjozovski: Sorrow for Guerreνικα
 Blesok no. 33 July-August, 2003
  Žarko Kujundžiski: Amelie Poulain:
 Blesok no. 32 May-June, 2003
  Viktor Kanzurov: Victory Above the Fear of Death
  Melentie Pandilovski: DENES
 Blesok no. 31 March-April, 2003
  Jane Altiparmakov: Sometimes Below, sometimes in One hour
 Blesok no. 30 January-February, 2003
  Petar Volnarovski: Trilogy – Complex – Wholeness
 Blesok no. 29 November-December, 2002
  Stojan Sinadinov: The “Bolsheviks and Mensheviks” – Of The Future
  Chidananda Dasgupta: Cultural Nationalism
 Blesok no. 28 September-October, 2002
  Vlada Urošević: The Layers of the Macedonian Soil in the Paintings of Gligor Chemerski
  Robert Alagjozovski: The Postmodernism in the Macedonian Film – part II
 Blesok no. 27 July-August, 2002
  Robert Alagjozovski: The Postmodernism in the Macedonian Film – Part I
 Blesok no. 26 May-June, 2002
  Žarko Kujundžiski: Macedonian Rashomon
 Blesok no. 25 March-April, 2002
  Jens Peter: Oskar Kokoschka, short biography
  Jane Altiparmakov: David Lynch: The Master of Film Mystery
 Blesok no. 24 January-February, 2002
  Živko Andrevski: Sharp Film Eye
 Blesok no. 23 October-November, 2001
  Donald MacGregor: “2001”
  Stephanie Semler: Peter Greenaway and Nietzsche's Eternal Return
 Blesok no. 22 August-September, 2001
  Suzana T. Pavlovska: Interview with Ivo Trajkov, film director
  Robert Jankuloski: Manaki / Photographers_Close-up
 Blesok no. 21 June-July, 2001
  Paula Willoquet-Maricondi: Fleshing the Text
 Blesok no. 20 April-May, 2001
  MFF: Leap Into the Void
 Blesok no. 19 February-March, 2001
  Robert Alagjozovski: A Spectral View over the Ideological Aspects of O. Stone's and S. Lee's Work
 Blesok no. 18 January, 2001
  Suzana T. Pavlovska: Festival “Manaki Brothers”, part II
 Blesok no. 17 October-November, 2000
  Ilindenka Petruševa: The Cinema Happened
  Aleksandar Rusjakov: Festival “Manaki Brothers”, part I
 Blesok no. 16 August-September, 2000
  Sonja Abadžieva: Stefan Manevski
 Blesok no. 15 June-July, 2000
  Sibila Petlevski: Biography as a Spiritual Travelogue
  Petar Volnarovski: Humanism, Nobility, Virutes... Film?
 Blesok no. 14 April-May, 2000
  Lucy Mallows: Ry Cooder's Buena Vista
  Viktorija Vaseva Dimeska: The Painter Lazar Ličenoski
  Aleksandar Rusjakov: Defending the Artistic Honour of the Film
 Blesok no. 13 February-March, 2000
  Ferid Muhić: The Agitated Angel
  Ante Popovski: The Song of Creation and Re-creation
 Blesok no. 12 January, 2000
  Ilindenka Petruševa: Taxi
 Blesok no. 114-115 July-August, 2017
  Meri Katalinić: Short stories” – Photographs by Dragi Nedelchevski
 Blesok no. 113 May-June, 2017
  Ljuben Paunoski: From: Expressionism in Macedonian Painting…
  Vladimir Georgievski: Address at Velestovo Poetry Night Event, 2004
 Blesok no. 112 March-April, 2017
  Nebojša Vilić: Goran Ristovski
 Blesok no. 111 January, 2017
  Elizabeta Bakovska: A Perfect Poet
 Blesok no. 110 October-November, 2016
  Vladimir Jančevski: BETWEEN
 Blesok no. 107 May 2016
  Valentino Dimitrovski: View from the Window
  Sonja Abadžieva: GligorChemerski – Giche
 Blesok no. 106 March-April, 2016
  Vladimir Jančevski: ANOMALIES: In-disciplinary aEsTHetIC Constructions / Politics and Limits of Interpretation Individual exhibition
  Gjorgje Jovanovik: Radio Free Skopje
 Blesok no. 105 January, 2016
  Safet Ahmeti: Dramatics as Opposed to Speed
 Blesok no. 103-104 December, 2015
  Valentino Dimitrovski: Document Child by Monika Moteska
 Blesok no. 101-102 November-December, 2015
  Melentie Pandilovski: Age of Catastrophe
 Blesok no. 10-11 August-November, 1999
  Various authors: as for the Exhibition of Dimitar Pandilov
  Petar Volnarovski: Looking For a Film
 Blesok no. 09 June-July, 1999
  Elizabeta Šeleva: The Geopoetics as a Provocation for an Art Note
  Ilindenka Petruševa: Tango Querido, Tango Argentino
 Blesok no. 08 April-May, 1999
  Sofija Grandakovska: Sergei M. Eisenstein: A Film Editing As Aesthetic Category
 Blesok no. 07 February-March, 1999
  Vladimir Angelov: The Second International Film Festival in Skopje
  Petar Volnarovski: Deep Impact vs. Armageddon
 Blesok no. 06 January, 1999
  Boris Petkovski: The Humanism of Rubens Korubin
  Ilindenka Petruševa: “Maklabas”
 Blesok no. 05 October-November, 1998
  Petar Volnarovski: Instead of an Awakening - a Goodbye!!!
  Vladimir Veličkovski: Shy Erotics
 Blesok no. 04 August-September, 1998
  Petar Volnarovski: “Maklabas,” – or: something new in Macedonia
  Elizabeta Šeleva: The Macedonian Film in the Balkan Cultural Intertext
 Blesok no. 03 June-July, 1998
  Boris Petkovski: A Dialogue With Life
  Georgi Vasilevski: The Fragile Giant
 Blesok no. 02 April-May, 1998
  Petar Volnarovski: Where is the Magic in “Gipsy Magic”?
 

literature: poetry | prose | essays | reviews
gallery:
exhibition | reviews | video  sound: concert | reviews  theatre: theory | reviews | play



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