Scene Machine
- on the dramaturgy of Eugéne Ionesco - Ionesko, that God-destroyer, known as one of the great portraitist of human [...]
admin 2018-08-21T17:23:54+00:00 April 1st, 2000|Categories: Theory, Blesok no. 14, Theatre/Film|0 Comments
- on the dramaturgy of Eugéne Ionesco - Ionesko, that God-destroyer, known as one of the great portraitist of human [...]
admin 2018-08-21T17:23:58+00:00 June 1st, 1999|Categories: Theory, Blesok no. 09, Theatre/Film|0 Comments
What is training for? I think of five functions that do not always exist separately. They overlap. In North America [...]
admin 2018-08-21T17:24:00+00:00 February 1st, 1999|Categories: Theory, Blesok no. 07, Theatre/Film|0 Comments
Over the last two years and in fact over the last decade, contemporary Macedonian theatre was marked to a significant [...]
admin 2018-08-21T17:24:01+00:00 January 1st, 1999|Categories: Theory, Blesok no. 06, Theatre/Film|0 Comments
or: The Transculturalism and its Intertexts Theory offers us today a lot of “application” terminology. These are being encouragingly enough [...]
admin 2018-08-21T17:24:03+00:00 October 1st, 1998|Categories: Theory, Blesok no. 05, Theatre/Film|0 Comments
1. General remarks The measuring of the past time and its determining in various scientific and professional categories is as [...]